The oppressive, just short of suffocating heart-pounding beat paints black, misty-murky mood images: sirens and demons circle around, above us in the wind-swept moonlit darkness, keening harpies, dementing wraiths, voodoo-ecstatic, soul-sucking succubi, bat-squeaking fiends, ghoulish girls – great as we approach October’s Gothic darkness; the escape-door, shimmering with a near-death radiance, taunting, jeering gleefully malicious in the distance – just out of reach. Mesmerizing, addictive, hypnotic, and fatefully, fatally attractive, mortally seductive. While Tim Freitag’s original rendition of «By Your Side» playfully, colorfully flicked away the gray day-to-day world like an annoying fly, Alessandro Giannelli’s version expresses his delicious pleasure in poking into recently healed wounds. But you continue to stay, gladly, willingly, enthralled, ecstatically enzombied, lusciously, seductively, eternally lost «By Your Side».

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